Biography
White
started his career playing the
fiddle
at
square dances.
He claims to have met
Charlie Patton
early on, although some doubt has been cast upon this;[1]
regardless, Patton was a large influence on White. White
typically played
slide guitar,
in an
open tuning.
He was one of the few, along with
Skip James,
to use a
crossnote tuning
in
E minor,
which he may have learned, as James did, from
Henry Stuckey.
He
first
recorded
for the
Victor Records
label in 1930. His recordings for Victor, like those of
many other bluesmen, fluctuated between
country blues
and
gospel
numbers. His gospel songs were done in the style of
Blind Willie Johnson,
with a female singer accentuating the last phrase of
each line.[2]
Nine
years later, while serving time, he recorded for
folklorist
John Lomax.
The few songs he recorded around this time became his
most well-known: "Shake 'Em On Down," and "Po'
Boy."
Bob Dylan
covered his song "Fixin'
to Die Blues",
which aided a "rediscovery" of White in 1963 by
guitarist
John Fahey
and
ED Denson,
which propelled him onto the
folk revival
scene of the 1960s. White had recorded the song simply
because his other songs had not particularly impr
essed
the Victor
record producer.
It was a studio composition of which White had thought
little until it re-emerged thirty years later[3].
White was at one time managed by experienced Blues
manager,
Arne Brogger.
Fahey and Denson found White easily enough: Fahey wrote
a letter to "Bukka White (Old Blues Singer), c/o General
Delivery,
Aberdeen,
Mississippi."
Fahey had assumed, given White's song, "Aberdeen,
Mississippi", that White still lived there, or nearby.
The postcard was forwarded to
Memphis,
Tennessee,
where White worked in tank factory. Fahey and Denson
soon travelled to meet White, and White and Fahey
remained friends throughout White's life.[4].
He recorded a new
album
for Denson & Fahey's
Takoma Records,
whilst Denson became his
manager.
White
was, later in life, also friends with fellow
musician,
Furry Lewis.
The two recorded, mostly in Lewis' Memphis
apartment,
an album together, Furry Lewis, Bukka White &
Friends: Party! At Home.
One
of his most famous songs, "Parchman Farm Blues", about
the
Mississippi's
infamous
Parchman Farm
state prison, was to be released on
Harry Smith's
fourth, never realized, volume of the
Anthology of
American Folk Music.
His 1937 version of the oft-recorded song,
"Shake 'em on Down," is considered definitive, and
became a hit while White was serving time in Parchman.[6]
White
was
sampled
by
electronic
artist
Recoil
for the track, "Electro Blues For Bukka White", on the
1992 album,
Bloodline;
the song was reworked and re-released on the 2000 EP
"Jezebel".
References
-
^
Stephen Calt claims, in his book about Skip
James: I'd Rather Be the Devil, that
White claimed to know Patton merely because
Fahey was a fan of the long dead bluesman.
-
^
In the liner notes for American Primitive,
Vol. 1, which features White's I am in
the Heavenly Way, Fahey states that White
"...had no particular interest in religion.
Victor went and hired the woman from a local
Baptist church for this recording. Trying to
imitate Blind Willie Johnson."
-
^
I'd Rather Be the Devil: Skip James and the
Blues by Stephen Calt, p. 243
-
^
In his collection of autobiographical sketches,
How Bluegrass Music Ruined My Life, John
Fahey reminisces about he and White's time cat
fishing together. He also laments that White
had, by the time of his rediscovery, largely
forgotten how to play guitar, but had become an
even more adept lyricist.
-
^
Furry Lewis,
Mississippi
Fred McDowell,
Wade Walton, and
R. L.
Burnside
have all recorded version of Shake 'em on
Down, as have countless others.
-
^
Bukka White:
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